San Diego Studios
Release Date: March 28, 2017
Estimated Sales: 1,160,000 copies
Matt Vasgersian
Harold Reynolds
Dan Plesac
MLB The Show 17, released on March 28, 2017, by San Diego Studio, is often hailed as a fan favorite for its balanced gameplay and the depth of its Diamond Dynasty mode. Featuring Ken Griffey Jr. on the cover, the game brought nostalgic excitement and a host of gameplay features that resonated with long-time fans of the series. However, it also introduced some of the most memorable and controversial content in the franchise’s history, with challenging grinds, overpowered cards, and unique gameplay quirks that have become legendary in the community.
MLB The Show 17 marked a significant evolution in Diamond Dynasty, emphasizing both content depth and progression mechanics that demanded dedication. It was the last game in the series to feature all player cards with a 0-99 attribute scale, providing a more balanced playing field before future entries shifted to attribute caps exceeding 99.
The game is perhaps most famous for introducing the highest-rated card ever released in the series: Pepe Alazar. A fictional character with perfect 99 attributes across the board, Pepe was available only after players completed an infamously grueling series of missions involving everything from stat challenges with common cards to lengthy online objectives. The card’s existence sparked mixed reactions, with some praising the sheer challenge while others felt frustrated by the disproportionate effort required.
In addition to Pepe Alazar, MLB The Show 17 featured what many consider the best real player card ever: the 99 overall Postseason Carlos Beltran. Available through the in-game ticket counter—a secondary currency system that could not be purchased and was earned solely through gameplay—Beltran became an instant fixture in competitive lineups. As a switch-hitting centerfielder with elite power, contact, and speed, he stood out as the most versatile and dominant real card in the game. Unlike Pepe, Beltran did not require extensive grinding; players could redeem him with tickets as long as they hadn’t exhausted their currency on other items.
MLB The Show 17 also had some unique gameplay mechanics that players exploited to their advantage. One such loophole was the negligible out-of-position (OOP) penalty for cards placed at first base. This led many to slot high-value cards—regardless of their primary position—into the first base slot to maximize their lineup. For instance, lineups often included Ken Griffey Jr., Mike Trout, and Ted Williams in the outfield, with another star outfielder, such as Carlos Beltran, placed at first base. This flexibility provided competitive players with an edge in creating powerhouse lineups, as there were virtually no penalties for fielding non-first basemen in that role.
The ticket counter was an intriguing feature that differentiated MLB The Show 17 from later entries. Players could accrue tickets by participating in gameplay, which could then be exchanged for exclusive cards and items. The availability of the 99 Postseason Carlos Beltran through this system highlighted its importance, as the card’s elite stats and switch-hitting capability made him indispensable for competitive play. This system rewarded consistent gameplay but did not require the same intensive grind as other card acquisition methods.
The grind-heavy nature of MLB The Show 17 defined the player experience. To unlock Pepe Alazar, players had to complete seven sequential missions that demanded daunting feats with various cards and stats in online play. By comparison, obtaining the Postseason Beltran felt like a well-earned break from the relentless mission chains, as it only required enough gameplay to earn the necessary tickets.
Despite the satisfaction of earning these high-tier cards, many players felt fatigued by the endless grind. The complexity and length of the missions meant that, for many, playing the game became secondary to completing objectives. This grind-centric model influenced future discussions in the community and led to a gradual shift in subsequent games toward more skill-based rewards, such as those available in Battle Royale (BR) and Ranked Seasons.
MLB The Show 17 remains an iconic entry for its deep content and gameplay quirks that allowed for creative team-building. The out-of-position strategy at first base and the legendary status of the Postseason Carlos Beltran card, combined with the infamy of Pepe Alazar, left an indelible mark on the franchise. These elements highlighted the importance of balancing challenging grinds with skill-based rewards, influencing the development of future iterations. The lessons learned from MLB The Show 17 helped shape a community that values not just dedication, but also skill and strategic play.
Ken Griffey Jr.
Wei-Yin Chen
Hyun-soo Kim
Aaron Sanchez
Cover Logo | Name | Release Date | Publisher | Cover Athletes | Special Edition Cover Athletes | International Cover Athletes | |
---|---|---|---|---|---|---|---|
MLB The Show 25 | 2025-03-24T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 24 | 2024-03-18T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 23 | 2023-03-27T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 22 | 2022-04-04T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 21 | 2021-04-19T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 20 | 2020-03-16T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 19 | 2019-03-25T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 18 | 2018-03-26T17:00:00-07:00 | San Diego Studios | |||||
MLB The Show 17 | 2017-03-27T17:00:00-07:00 | San Diego Studios | Ken Griffey Jr. Wei-Yin Chen Hyun-soo Kim Aaron Sanchez | ||||
MLB The Show 16 | 2016-03-28T17:00:00-07:00 | San Diego Studios | Josh Donaldson Josh Donaldson Jung-ho Kang Wei-Yin Chen | ||||
MLB 15: The Show | 2015-03-30T17:00:00-07:00 | San Diego Studios | Shin-soo Choo Wei-Yin Chen Russell Martin Yasiel Puig | ||||
MLB 14: The Show | 2014-05-05T17:00:00-07:00 | San Diego Studios | Brett Lawrie Wei-Yin Chen Shin-soo Choo Miguel Cabrera |